It has been a while since I've shared anything here. The truth is because I've been working. I am so thankful that during a time when many of my collogues and friends have been diving into side hustles or other endeavors I was lucky enough to have had work. 
It was a little anxiety inducing and even scary jumping back into an industry so reliant on human interaction. Adding a new department called Covid was a little unsettling, but they were there to make sure all of us stayed healthy and safe. Besides the obvious hurdles the pandemic threw at us, there were some unforeseen issues that arose as well. Usually in film if someone cancels it sucks, but you can call up a replacement within a few hours. Because of testing requirements and safety protocol, what would have only taken a few hours now takes a few days; taking a stressful situation to another level. Thankfully most of the people I have worked with since coming out of the pandemic have been gracious people and understand it is still not business as usual. There have been a few people who still expect things to happen at an ungodly pace, but they are severely outnumbered. 
As guidelines change I am looking forward to seeing my colleagues come back to their professions and create some amazing work. I hope that some of the things we realized during quarantining and the pandemic will continue, like video meetings, setting timelines farther in advance to give adequate time to all departments, etc. 

At the beginning of December I received an email on my contact page from a young lady who was starting to look into colleges and their programs. She had found my paper portfolio blogs (here and here) and had a few more questions for me.

One question I asked if I could share was, "If [I] could go back, would [I] major in something more specific?" A little backstory; I received my Bachelor of Arts in Theatre Studies at a liberal arts college before choosing to work on my Masters of Fine Arts in Costume Design at a conservatory program. Below is my answer:

"My answer would be no, I wouldn't change what I ended up majoring in. I believe majoring in theatre made me a more well rounded theatre professional and allowed me to understand the demands on my fellow theatre professionals. For instance, as a designer it is important to know how a garment goes together, sewing classes are important. It is also important to understand what an actor's blocking is so the design is able to be moved in appropriately, Taking a movement class or acting class helped with this..."

I then went on to explain why I believed my liberal arts undergraduate experienced ultimately helped me build up a knowledge bank I still draw from when designing. My love of learning that was cultivated during these liberal arts classes along with different research techniques have aided me greatly when working on a theatre piece. 

It was nice to chat with someone a little about theatre this pas year. I hope that all the students getting ready to go into programs in the fall can do so with the same optimism I did when attending my undergrad. I look forward to getting back to our stages when it is safe. Until then, support your local theatres and artists. 

Up until now I have been one of the lucky ones. My jobs last year afforded me enough unemployment insurance to just squeak by while waiting for film and theatre to open up again. I started a few projects to keep myself busy and to hold impending doom at bay, but now those "for me projects" are now, by necessity, becoming a side hustle. 

Unemployment is running out for many film and theatre professionals. Some didn't even have the luxury of a small unemployment insurance to bank on. I wrote recently about professionals having to leave NYC and mentioned Be An Arts Hero and The Costume Industry Coalition. These projects are important and I highly suggest reading up on both and the DAWN Act. But, some professionals need more than these organizations can supply. That is where the side hustle (now potentially the main hustle for the time being) comes in.

I decided to open an Etsy store. I contacted a few other industry friends who have done the same for some insight. (You can read my interview with my dear friend Kim Griffin about her store a few years ago here) With their help I navigated through opening my shop and posting a few of my designed products. 

Although I have made very few sales at the time of writing this, I am crossing my fingers this shop will help me make enough to keep my head above water. Hopefully these side hustle businesses can go back to being side hustles soon. But in the meantime, please check out these film and theatre professionals' side hustles. I will leave links below. Happy shopping.

• cbakewelldesigns.etsy.com - My shameless plug. I am a costume designer as most of you know and work in both film and theatre. My shop specializes in small batch/handmade earrings and embroidery pieces.
• cuttingedgeclothes.etsy.com - Christina is a producer, actress, and comedian with a love for music, Halloween, and cats. Her earrings and clothing are handmade from recycled pieces. She is looking at expanding into other creative products soon. 
• szmccraftworks.etsy.com - Matt and Sarah are a lighting designer and costume designer respectively. Their 3D printed earrings have a decidedly theatrical flair and Sarah offers some pretty swanky masks to add to your collection. They even have stickers!
• createdbykimgriffin.etsy.com - Kim is a costume designer and uses her design mind well with her Disney/fandom inspired ears, skirts, and facemasks. She just added a new facemask to cover those quarantine beards some of you have grown. 
• radradishvintage.etsy.com - Laura and I worked together in film and she has morphed her exceptional style sense into a full time vintage shop and personal shopping service that specializes in 80's and 90's clothing. Truly some rad finds for all shapes and sizes! 
• rachelsclosetrevival - Rachel is a theatre and event stage manager with some serious thrift hunting skills. She sells some of her finds and also offers a personal thrift shopper and consultant service.* 

*Note-rachelsclosetrevival was added after original publishing of this article once her site went live. 

If you are in the costume or fashion industry and haven't heard of FABSCRAP, let me introduce you.
FABSCRAP is a fabric recycling shop that not only will take your mockups, scraps, extra bolts, etc. and recycle them, They will sell you fabric by the yard, by the patch, in scrap bags from area designers who no longer need their excess fabric. Before the pandemic you could even go to their warehouse, volunteer to sort, and walk away with some beautiful fabric as a thank you. 
Now, it is a bit harder to do this, but they still accept volunteers, have sign up for in store shopping, and the thing I'm most excited about is, online shopping! I don't currently have a project, but the fabrics currently up online make me want to think something up so I can order some. 
Learn more about FABSCRAP and their mission or shop for your next at home quarantine project. 
*No partnership or pay from this blog. I just am really excited about FABSCRAP and want other eco-conscious designers, fabric enthusiasts, at home sewers, teachers, students, etc. to know about them!

This winter I was scheduled to costume design The Miracle Worker before the pandemic hit. I, being someone who loves research, had already started doing some even though the production wasn't until the end of the year. While being stuck in my small apartment I had also started playing around with sketching pieces for practice and something to do. After I got the email that my production had been pulled from the season, I put my work on the back burner and wasn't sure if I'd pick it up again. 
Recently I have picked up actively searching for design work, yet the pandemic continues, and most theatres and film studios remain closed. I decided to revisit The Miracle Worker​ and just focus on Annie at the moment. A mini paper project if you will.  

The left image is a fully digital drawing/collage I did back a few months ago when the production was still on the schedule. I was just playing around with blending Annie Sullivan's actual face into a few collage pieces and a digitally drawn body. I didn't put too much emphasis on my specific research then as I was focusing more on the digital aspect of my drawing. The image on the right is something I did recently. It is a quick sketch with pencil and paper of a few accessories and some notes about where Annie was in her life when we meet her in The Miracle Worker. She had just finished school and had undergone at least three unsuccessful eye surgeries to help her regain more of her sight. I thought slightly more about how she would compare socially to the Kellers and looked at the many photography portraits of her and Helen to get insight into her sense of style. Although portraits are great resources, they are usually staged and formal sittings so the sitter tends to be wearing their best clothes. 
There is still a lot of work to be done before presenting this to a director or production team, but it was nice to have a quick little exercise to get me back into combining my love of research with the story being told. If I end up designing The Miracle Worker in the future I will most likely decide to go a completely different direction than I was headed here, especially since theatre is a collaborative art, which is something I have missed dearly this year.